That means that there are few techniques you have to absolutely know how to develop and control separately, in order to be able to play pianissimo well: You need to be able to control the air pressure, which is created inside your body, in order to control the speed of the air that comes out through your lips and the quantity of air that comes out and be able to direct it to a very specific spot on the wall. But, there’s a catch: the amount of air should be lower, but the pressure of the air shouldn’t be lower, or even be slightly higher. If a little amount of air will hit the wall – you’ll get a piano or pianissimo. If a lot of air would hit the wall – you’ll play a forte or fortissimo. The first thing you have to understand is that in order to play dynamics with the flute, you need to be able to control the amount of air that hits the wall inside the headjoint’s embouchure hole. In order to understand why it might be so difficult for you to achieve a beautiful pianissimo, we have to first understand HOW dynamics are happening with the flute. If you’ve answered yes to one or more of the questions above, this article is exactly for you! Then adjust your playing angle.The reasons for your difficulties playing pianissimo on the fluteĭo you find playing pianissimo to be very hard?ĭo you lose your tone quality when playing pianissimo?Ĭan you not control your intonation well while playing pianissimo? Covering the hole a little more will lower the overall frequency uniformly. You may need to cover the hole a little more with your lower lip placement. But this is not going to affect intonation overall. The trick for you is how far can you move it out without shutting down part of the 3rd register. Pushing the cork in will tend to make the 3rd register sharper. If you stay in that range you should be fine. Conical bore piccs lean to the shorter side. Range of picc headjoint cork placement varies a couple mm due to different bores, usually 8.3mm-10.3mm. If you move the cork and suddenly a cluster of 3rd register notes (Usually the range of a minor 3rd) then you've moved the cork into that range and its placement is inhibiting that cluster of notes from playing. Not a problem on flute, but those frequencies are in the piccs playing range. Also be aware that the cork introduces a dead spot in the response curve. Moving the cork on the piccolo can be done but only a small amount. The third octave is more affected than the first. Try another 105 and try some other brands alongside and see what works best for you.Ĭork position will affect intonation between registers. Depending on you playing style (embouchure) it may be that it just isn't the right picc for you too. Outside of there being something that is problematic, these types of issues are routinely player oriented. Line 3: 3 calls about piccolo playing sharp. Line 2: 3 calls about piccolo playing flat. Having been the block more that a few times, I can tell you there have been many days of inquiries about any manufacturers piccolo stack up looking something like this: The solution is to learn to play it correctly. It is therefore obvious to me that if your teacher also plays sharp on this then you will also since your embouchure concept comes from you teacher. Piccolos can have a very wide range of flatness or sharpness depending on the player (even on the same exact piccolo). This includes finding the right angle for the amount of lower lip coverage of the hole. If you are not used to a high wave you may need to adjust your embouchure to get the pitch low enough. Most likely, You need to adjust to the headjoint. Any suggestions before I call up Pearl?ĮDIT: And the cork is in the correct position I was really excited about my piccolo, but now I'm kinda poopy that I can't play it in tune at ALL. Sometimes the notes read a complete half-step higher. I wanted to make sure that it wasn't me, so I got my flute teacher to play it, and he's extremely sharp too. At this point, the headjoint is not very secure on the body. To be in tune, I have to pull the headjoint out about 1/2". I've been doing well, but put to a tuner, every single note is about 30 cents sharp.
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